2025/09/19

紅光療法(Red Light Therapy)的相關科學實驗證據整理

 ### 紅光療法(Red Light Therapy)的相關科學實驗證據整理


紅光療法(也稱光生物調節或低水平激光療法)使用紅光或近紅外光(波長約600-1000 nm)來刺激細胞功能,主要透過影響線粒體中的細胞色素c氧化酶來增加ATP產生,從而促進組織修復和生理調節。以下根據文獻中的隨機對照試驗(RCT)、meta分析和系統回顧,整理其對運動恢復、皮膚健康、抗炎作用及睡眠節律的證據。證據等級以GRADE系統評估(高、中、低),並聚焦人類研究。注意:雖然多數研究顯示正面效果,但樣本量有限,且需更多大型長期試驗確認。


#### 1. 運動後恢復(Boost recovery after workouts)

紅光療法可預先照射(pre-conditioning)或事後應用,減少肌肉損傷、氧化壓力,並加速恢復。機制包括增加ATP、減少乳酸累積及促進血液循環。


| 研究類型 | 關鍵發現 | 證據等級 | 參考 |

|----------|----------|----------|------|

| Meta分析(2015,巴西聖保羅大學,21項RCT) | 運動前紅光照射顯著改善疲勞時間(time-to-exhaustion)、重複次數,並加速恢復;效果大小中等(ES=0.6-1.0)。 | 中等 |  |

| 系統回顧(2016,Physiopedia) | 紅光增加肌肉質量、減少炎症及氧化壓力;預照3-5分鐘,效果持續3-6小時。 | 中等 |  |

| RCT(2015,近紅外光,n=20) | 劇烈阻力訓練後,紅光組力量損失減少50%,炎症標記(如CK酶)降低。 | 中等 |  |

| 回顧(2025,ACE Fitness) | 優於冷療(cryotherapy),但家用設備劑量不足研究級別。 | 低 |  |


**總結**:證據支持紅光作為運動恢復輔助,特別在預防肌肉疲勞方面,但最佳劑量(4-10 J/cm²)需個別化。


#### 2. 支持健康皮膚(Support healthy skin)

紅光促進膠原合成、纖維母細胞活性,改善皺紋、疤痕及彈性。常用於抗老化及傷口癒合。


| 研究類型 | 關鍵發現 | 證據等級 | 參考 |

|----------|----------|----------|------|

| RCT(2014,n=136) | 紅/近紅外光治療12週,細紋減少31%、皮膚粗糙度改善20%、膠原密度增加(超音波測量)。患者滿意度>90%。 | 高 |  |

| 系統回顧(2024,WebMD,11項研究) | 改善皺紋、痤瘡及疤痕;頭髮厚度增加(雄性禿患者)。 | 中等 |  |

| 回顧(2025,UCLA Health,3個月追蹤) | 面罩治療逆轉老化跡象(如紅腫、色素沉澱),效果持續1個月。 | 中等 |  |

| Meta分析(2023,Cleveland Clinic) | 減少紅腫及痤瘡,但長期安全需更多數據。 | 低 |  |


**總結**:強證據支持皮膚再juvenation,特別在臨床環境;家用LED效果較弱,建議結合醫師指導。


#### 3. 緩解炎症(Calm inflammation)

紅光抑制促炎細胞因子(如TNF-α、IL-6),促進抗炎介質(如IL-10),適用於關節炎及傷口炎症。


| 研究類型 | 關鍵發現 | 證據等級 | 參考 |

|----------|----------|----------|------|

| 系統回顧(2017,PMC,34項研究) | 紅光減少炎症介質,機制涉及線粒體及鈣離子通道;適用於關節炎及神經痛。 | 高 |  |

| Meta分析(2024,WebMD,11項RCT) | 疼痛及晨僵改善(ES=-0.5),特別風濕性關節炎;肌腱炎功能提升。 | 中等 |  |

| RCT(2025,UCLA,文獻回顧) | 慢性/急性疼痛炎症減少,優於安慰劑。 | 中等 |  |

| 回顧(2025,Stanford) | 組織炎症降低,但劑量依賴(>5000 lx最佳)。 | 低 |  |


**總結**:可靠證據顯示抗炎效果,作為非藥物輔助;癌症相關炎症(如化療後)也有初步支持。


#### 4. 改善睡眠節律(Help your body find a better sleep rhythm)

紅光對褪黑激素影響小(不像藍光抑制),可能透過增加血清褪黑激素及減少警覺性改善睡眠。證據較弱,多為小型研究。


| 研究類型 | 關鍵發現 | 證據等級 | 參考 |

|----------|----------|----------|------|

| RCT(2012,中國女籃球員,n=20,14天) | 每晚30分鐘紅光,匹茲堡睡眠指數(PSQI)改善、褪黑激素上升、總睡眠時間增加(P<0.05)。 | 中等 |  |

| RCT(2023,n=40,健康/失眠者) | 紅光增加主觀警覺但不影響睡眠;黑環境結合紅光改善入睡延遲及連續性。 | 中等 |  |

| 系統回顧(2023,meta分析,40項研究) | 光療法推進延遲睡眠時相(ES=-0.34),總睡眠時間增加;紅光避免藍光干擾。 | 低 |  |

| 回顧(2023,CNN) | 紅光不干擾晝夜節律,可能間接改善(避免藍光);但無強證據支持直接「重置」節律。 | 低 |  |


**總結**:初步證據顯示紅光可輔助睡眠質量(尤其是運動員),但不如亮光療法(bright light)對晝夜節律重置有效;晚上避免藍光更關鍵。


**整體注意事項**:紅光療法安全(無明顯副作用,如紅腫罕見),FDA批准多項家用設備,但效果依波長、劑量及持續時間而異。建議諮詢醫師,特別有光敏性疾病者。未來研究需聚焦長期效果及標準化協議。

Mac App - Photo Clean up


Product Requirements Document (PRD)

1) Summary

A macOS desktop app for rapid photo triage. Users browse a folder tree (parent/children), enter Cleanup Mode to preview photos one-by-one, and use swipe gestures:

  • Swipe Left → move photo to a staging folder named “ToDelete”.

  • Swipe Right → keep photo, advance to next.
    Keyboard shortcuts mirror gestures. Users can later review or permanently delete staged photos.

2) Goals & Non-Goals

Goals

  • Fast, low-friction review of photos in any filesystem folder.

  • Reliable, reversible “stage for deletion” workflow.

  • Smooth navigation among parent and child folders.

Non-Goals

  • Editing photos (crop, color, etc.).

  • Managing Photos app library (this release is filesystem-only).

  • Cloud sync logic (beyond what Finder/OS already does).

3) Assumptions

  • Sandboxed app; user grants access via folder picker. Use security-scoped bookmarks to persist access.

  • Photos are regular files in the filesystem (JPEG, PNG, HEIC, GIF, TIFF, RAW variants).

  • “ToDelete” is a sibling of the current folder by default (configurable).

4) User Stories

  • US-01: As a user, I can select a root folder to review.

  • US-02: I can navigate up to parent or down into children quickly.

  • US-03: I can enter Cleanup Mode and preview photos full-screen or in a focused pane.

  • US-04: Swiping left sends the current photo to “ToDelete” and shows the next photo.

  • US-05: Swiping right skips the photo and shows the next photo.

  • US-06: I can use keyboard shortcuts instead of gestures.

  • US-07: I can undo the last action(s).

  • US-08: I can review the “ToDelete” folder and restore items.

  • US-09: I can permanently delete staged items (to macOS Trash) with a confirmation.

  • US-10: I can configure where “ToDelete” is created and how images are sorted.

5) UX & Interaction Model

Navigation

  • Left sidebar: folder tree (current folder highlighted).

  • Breadcrumb at top for quick jump to ancestors.

  • Toggle to switch among Parent / Current / Children (or a three-segment control).

Cleanup Mode

  • Enters a focused viewer.

  • HUD: file name, index (e.g., 14/238), resolution, creation date.

  • Controls: Exit Cleanup, Undo, “Open in Finder”, “Reveal in Finder”, “View in ToDelete”.

  • Gestures:

    • Trackpad swipe left → stage to delete, auto-advance.

    • Trackpad swipe right → keep, advance.

  • Shortcuts:

    • ← / D = Stage to delete.

    • → / K = Keep/Next.

    • U / ⌘Z = Undo.

    • Space = Toggle quick zoom.

    • Esc = Exit Cleanup Mode.

Staging

  • On first stage action, app creates ToDelete if missing.

  • Name collisions resolved by appending “ (1)”, “ (2)”, etc.

  • Across volumes: perform copy+delete (with progress), preserving metadata.

Settings

  • Sort order: Date created | Date modified | Name | Size (asc/desc).

  • Include subfolders in Cleanup Mode: On/Off.

  • “ToDelete” location: sibling folder (default) | fixed app-level staging folder | custom.

  • Preview quality: Auto (default) | High | Low.

  • Confirm permanent deletion: On (default) | Off.

  • Skip files larger than N MB without warning: On/Off.

6) Functional Requirements

  • FR-01 Folder Access: User chooses one or more root folders; app stores security-scoped bookmarks.

  • FR-02 Folder Navigation: Display parent and children; jumping between them must be O(1) visible action with lazy loading of large trees.

  • FR-03 Media Discovery: Filter visible items to supported image types (configurable).

  • FR-04 Sorting & Filtering: Apply user’s sort preferences consistently across navigation and Cleanup Mode.

  • FR-05 Preview Engine: Generate fast thumbnails and quick-look previews (respect EXIF orientation). Preload next/previous image.

  • FR-06 Cleanup Mode State: Linear traversal of the filtered set; resume where left off per folder.

  • FR-07 Stage Left (Delete): Move file to “ToDelete” (atomic when possible). Advance immediately. Log action to an in-memory and on-disk session history for undo.

  • FR-08 Skip Right (Keep): Advance without moving file.

  • FR-09 Undo/Redo: Undo last N actions in session; supports restoring a moved file to its original path (or warn if path unavailable).

  • FR-10 “ToDelete” Review: Dedicated view to browse, restore, or permanently delete items.

  • FR-11 Permanent Delete: Send to macOS Trash (not immediate unlink) with count summary and confirmation dialog.

  • FR-12 Cross-Volume Handling: If “ToDelete” is on a different volume, copy+delete with progress UI; on failure, rollback.

  • FR-13 Conflicts: If a same-name file exists in “ToDelete”, auto-rename deterministically.

  • FR-14 Persistence: Store settings and per-folder progress in user defaults / app support.

  • FR-15 Accessibility: Full keyboard operation, VoiceOver labels, large hit-targets.

  • FR-16 Localization-Ready: Strings externalized.

  • FR-17 Telemetry (optional toggle): Count of staged/kept per session (no file names/paths).

  • FR-18 Error Handling: Friendly toasts for permission errors, missing files, iCloud download in progress, etc.

  • FR-19 Performance:

    • First preview < 300 ms p95 after assets indexed.

    • Next/prev transition < 120 ms p95.

    • Memory footprint < 500 MB when paging high-res photos (release decoded bitmaps).

7) Non-Functional Requirements

  • NFR-01 Platform: Current and last two major macOS versions. Universal build (Apple Silicon + Intel if required).

  • NFR-02 Privacy: All processing local; no network I/O by default.

  • NFR-03 Reliability: No data loss on interruption; operations are transactional where feasible.

  • NFR-04 Security: Respect sandbox; only user-granted folders accessible.

  • NFR-05 Observability: Lightweight logs (rotated), crash reports opt-in.

8) Data & Technical Notes

  • Use security-scoped bookmarks for persistent folder access.

  • Use file coordination for moves; preserve EXIF and extended attributes.

  • Use thumbnail APIs / CGImageSource for efficient previews; cache adjacent images.

  • Keep a session action log: {timestamp, originalPath, stagedPath, actionType} to power undo/redo and recovery after crash.

9) Out of Scope (v1)

  • Videos, Live Photos, and RAW sidecar pairing rules (treat as files for now).

  • Duplicate detection, fuzzy grouping, or AI.


Test Plan

A) Strategy

  • Unit Tests: file operations, name collision resolver, sort, state machine.

  • Integration Tests: security-scoped bookmark flow, cross-volume move, Trash deletion, EXIF orientation.

  • UI Tests (XCUITest): navigation, Cleanup Mode gestures/shortcuts, undo/redo.

  • Performance Tests: preview latency & memory under load.

  • Accessibility Tests: keyboard-only flows, VoiceOver labels.

  • Manual Exploratory: weird filenames, iCloud placeholders, external drives.

B) Test Environment

  • macOS latest and two prior majors; Apple Silicon primary.

  • File systems: APFS local; APFS external; network share (read/write).

  • Folder sets:

    • Small (≤100 photos), Medium (~5k), Large (≥50k, mixed formats).

    • Include HEIC, large JPEG (>25 MB), PNG, TIFF, common RAWs (CR2/NEF/ARW/DNG).

C) Acceptance Criteria (sample, traceable to FR-IDs)

  • AC-01 (FR-07): Swiping left moves file into “ToDelete” within 500 ms and advances to the next item.

  • AC-02 (FR-09): ⌘Z restores the last staged file to its original path even after folder change.

  • AC-03 (FR-11): “Delete staged” sends all items to macOS Trash and reduces “ToDelete” count to 0.

  • AC-04 (FR-05): Portrait photos show correctly oriented previews.

  • AC-05 (FR-02): Parent/children toggle switches views in ≤150 ms and preserves scroll and selection.

  • AC-06 (FR-12): Cross-volume stage shows progress and leaves no partials on failure.

  • AC-07 (FR-15): All primary actions are reachable by keyboard and announced by VoiceOver.

D) Core Test Cases

ID Precondition Steps Expected Result
TC-01 App fresh install Launch → Choose Folder Permission prompt shown; folder appears in sidebar; bookmark persisted.
TC-02 Folder with 500 JPEGs Enter Cleanup Mode → Swipe Right 5× Index increments; no files moved; HUD updates (6/500).
TC-03 Same as TC-02 Swipe Left 1× Current file appears in ToDelete; viewer advances; toast “Moved to ToDelete”.
TC-04 After TC-03 Press ⌘Z File restored to original path; index decrements; toast “Undo move”.
TC-05 “ToDelete” already has a file named IMG_0001.jpg Stage another IMG_0001.jpg New file saved as IMG_0001 (1).jpg (or next available).
TC-06 Large HEIC (30MB) Enter Cleanup → View file Preview < 300 ms p95 after first load; memory does not exceed cap.
TC-07 Mixed orientations Browse 10 photos All previews respect EXIF orientation (no sideways images).
TC-08 External APFS drive as “ToDelete” target Stage 50 files Progress UI shown; files appear on external; originals removed from source.
TC-09 iCloud Drive folder with placeholders Stage a placeholder App prompts/waits for download; on success, move proceeds; on failure, user gets actionable error.
TC-10 No write permission to target Stage file Clear error; action is rolled back; viewer remains consistent.
TC-11 Very long filename / unicode Stage & Undo Name preserved; no encoding issues; undo restores exact name.
TC-12 Settings: Sort by Date Created desc Enter Cleanup Order matches Finder’s equivalent sort; consistent across sessions.
TC-13 “Include subfolders” enabled Enter Cleanup on parent Traversal includes children; counter reflects combined count.
TC-14 ToDelete contains 100 items Click “Delete staged” System confirmation → items moved to Trash; counts zero; undo is not available for permanent delete.
TC-15 VoiceOver on Navigate & stage item All controls have labels; VoiceOver announces actions and counts.
TC-16 Keyboard-only Use ← / → / U keys Actions work without trackpad; focus ring visible.
TC-17 App crash simulated during move Relaunch app No orphan temp files; session log replays safely; user notified if any items could not be restored.
TC-18 Very large library (50k) Open folder tree, enter Cleanup UI remains responsive; lazy loading verified; no freezes >100 ms on main thread.
TC-19 Two windows Stage in Window A, navigate in Window B State is isolated per window; “ToDelete” reflects global filesystem state.
TC-20 Different volume for “ToDelete” Stage RAW + Sidecar Both files moved; pairing preserved if enabled; otherwise each handled independently.

E) Performance Tests

  • PT-01 Preview Latency: Measure time to first frame and next/prev transitions across formats; must meet FR-19 thresholds.

  • PT-02 Memory: Scroll 1,000 photos; verify decoded image cache evicts correctly; memory plateau < 500 MB.

  • PT-03 Bulk Stage: Stage 2,000 photos cross-volume; mean throughput and no UI jank.

F) Accessibility Tests

  • Full keyboard path for: select folder, enter Cleanup, stage, undo, open ToDelete, delete staged.

  • VoiceOver reads: file name, index, action result.

  • Contrast & hit size meet macOS HIG.

G) Edge Cases

  • Files disappearing mid-session (external change): app skips with notice.

  • Read-only media (SD card switch): error & guidance.

  • Path length / unicode normalization differences across volumes.

  • iCloud items not downloaded; network offline.

  • Timezone/EXIF weirdness; files with creation date missing (fallback to modified date).

H) Regression Checklist (per release)

  • Bookmark restore on relaunch.

  • Gesture recognizers coexist with trackpad system gestures.

  • Trash API still reachable; deletion confirmation string localized.

I) Traceability (example)

  • FR-07TC-03, TC-04, TC-05, PT-03

  • FR-11TC-14

  • FR-15TC-15, TC-16

  • FR-19PT-01, PT-02



2025/09/18

電子為主、但很兇、帶點工業味

 如果你喜歡 Prodigy 那種「電子為主、但很兇、帶點工業味」的聲音,嚴格說它偏向 Big Beat/電子搖滾,不算傳統金屬。不過「金屬+電子」這條線上,常見有幾個分支可以一路聽過去:

1) 工業金屬(Industrial Metal)

特色:厚重的金屬吉他riff鼓機/采樣/合成器、機械感節奏。代表團常見:Rammstein、Fear Factory、KMFDM、Godflesh、Static-X、Nine Inch Nails(更靠工業搖滾)。這條分支是金屬與工業/電子結合的經典答案。(Wikipedia)
入門歌:Rammstein〈Du Hast〉、Fear Factory〈Replica〉、Static-X〈Push It〉、Nine Inch Nails〈Head Like a Hole〉

2) Electronicore(Metalcore+EDM)

特色:金屬核的吼腔與breakdown,混進trance/dubstep/電子旋律。推:Enter Shikari(英)、Crossfaith(日)、Electric Callboy(德,前 Eskimo Callboy)、The Browning、I See Stars、Fear, and Loathing in Las Vegas(日)。如果你要「電子感更濃+副歌洗腦」,這條很對味。(Wikipedia)
入門歌:Enter Shikari〈Sorry You’re Not a Winner〉、Crossfaith〈Monolith〉、Electric Callboy〈Hypa Hypa〉、The Browning〈Gravedigger〉

3) Digital Hardcore(電硬核)

特色:硬核龐克的怒火鼓打貝斯/Breakbeat/Techno,速度快、攻擊性強,常帶政治/社會題材。Atari Teenage Riot是開山角色;如果你喜歡 Prodigy 的狠勁、節奏再更狂,這支派很合。(Wikipedia)
入門歌:Atari Teenage Riot〈Start the Riot!〉、〈Speed〉

4) 另類/實驗的「電子×金屬」混種

  • The Algorithm:把djent/前衛金屬IDM/舞曲編曲拼起來,技術感爆棚。(Wikipedia)

  • Celldweller(Klayton)電子搖滾×工業金屬×Nu metal 的影片配樂常客。(Wikipedia)

  • Igorrrbreakcore+極端金屬+巴洛克的怪才混血。(Wikipedia)

  • Author & Punisher:一人工業/毀滅金屬,用自製機械控制器演出,質地超冷硬。(Wikipedia)

與 Prodigy 氣場相近(但不一定是金屬)

The Prodigy 本尊屬 Big Beat/電子搖滾/Electropunk,是 90s 電子樂代表;如果你想找「帶搖滾/金屬能量的電子」鄰居,可試 The Chemical Brothers、The Crystal Method,或Pendulum(鼓打貝斯×電子搖滾,後期有些金屬元素)。(Wikipedia)
入門歌:The Prodigy〈Firestarter〉、Pendulum〈Witchcraft〉/〈Watercolour〉


快速歌單(先感受各分支的味道)

  • 工業金屬:Rammstein〈Du Hast〉/Fear Factory〈Replica〉/Static-X〈Push It〉

  • Electronicore:Enter Shikari〈Sorry You’re Not a Winner〉/Crossfaith〈Monolith〉/Electric Callboy〈We Got The Moves〉

  • Digital Hardcore:Atari Teenage Riot〈Start the Riot!〉

  • 實驗混種:The Algorithm〈Trojans〉/Celldweller〈Switchback〉/Igorrr〈Very Noise〉/Author & Punisher〈Drone Carrying Dread〉

  • Prodigy 同溫層:The Prodigy〈Breathe〉/Pendulum〈Watercolour〉

路線推薦(由易入門→更兇)

工業搖滾/工業金屬
3TEETH、HEALTH、Ministry、KMFDM、Fear Factory(特別是 Remanufacture 時期)、Rammstein、Godflesh、Pitchshifter、Stabbing Westward、Filter

Rocktronica/大拍延伸(有吉他、有推力)
The Qemists、The Glitch Mob、Overseer、Junkie XL、Propellerheads、Hybrid(較電影感)

D&B × 金屬/搖滾能量
Noisia、Black Sun Empire、The Upbeats、Spor(Feed Me)、Chase & Status(早期帶狠勁)、Pendulum(你已懂)、The Qemists(再強推一次)

Digital Hardcore/電硬核(最像怒吼版電子)
Atari Teenage Riot、The Mad Capsule Markets、Mindless Self Indulgence(更偏電龐)

Darksynth/合成波金屬感
Carpenter Brut、Perturbator、GOST、Dance With the Dead(旋律掛但有riff)

實驗×金屬/前衛混種
The Algorithm(djent×IDM)、Igorrr(breakcore×極端金屬)、Author & Punisher(機械冷硬)、Amon Tobin(重節奏聲響設計)

先聽這 20 首(火力展示)

  • 3TEETH – Atrophy

  • HEALTH – STONEFIST

  • Ministry – N.W.O.

  • KMFDM – Megalomaniac

  • Fear Factory – Linchpin(或整張 Remanufacture 的混音)

  • Rammstein – Sonne

  • Godflesh – Crush My Soul

  • Pitchshifter – Genius

  • Stabbing Westward – Shame

  • The Qemists – Stompbox

  • Noisia – Machine Gun

  • Black Sun Empire – Arrakis

  • Overseer – Supermoves

  • Atari Teenage Riot – Speed

  • The Mad Capsule Markets – Pulse

  • Author & Punisher – Nihil Strength

  • Carpenter Brut – Turbo Killer

  • The Algorithm – Trojans

依你的喜好再加幾個「同溫層」延伸

  • 喜歡 Celldweller → Blue Stahli、Scandroid(同一派系的狠勁+旋律)

  • 喜歡 Nine Inch Nails → How to Destroy Angels、Stabbing Westward、Filter、Statiс-X

  • 喜歡 Chemical Brothers/Crystal Method → The Prodigy(硬電子)、Junkie XL、Propellerheads、Overseer

  • 喜歡 Pendulum/Photek → Noisia、Black Sun Empire、Spor、The Upbeats(更重、更暗的 D&B)

  • 喜歡 Squarepusher/Aphex Twin/Björk → Amon Tobin、Clark、Igorrr(更瘋的切拍)、Arca(Björk 合作者,偏實驗)

俄羅斯/烏克蘭/白俄羅斯

  • Illidiance(俄)— cyber/industrial metal,節奏機械、旋律科幻感。Wikipedia

  • Слот/Slot(俄)— nu-metal × 電子搖滾,俄搖圈的長青混種。Wikipedia

  • IC3PEAK(俄)— 暗黑電子/witch-house 雙人組,冷感合成器+強烈視覺。先聽〈Смерти Больше Нет〉。Wikipedia

  • Shortparis(俄)— 工業感濃的實驗舞曲/後龐克,現場超狠。Wikipedia

  • The Hardkiss(烏)— 電子搖滾/流行金屬嗓線,hook 很洗腦。Wikipedia

  • Molchat Doma(白俄)— 冷潮/暗潮合成器,低音線中毒。Wikipedia

  • Teddy Killerz(俄/烏)— neurofunk d’n’b 三人組,能量感接近 Pendulum 的硬派一面。Wikipedia

  • Gydra(俄)— 俄系 neurofunk 代表,聲音設計超殺。eatbrain.net

中東(含土耳其、以色列、伊朗、敘利亞…)

  • Infected Mushroom(以色列)— psytrance/electronica 旗手,常把搖滾與吉他融進猛爆合成器。Wikipedia

  • Orphaned Land(以色列)— 「東方金屬」先驅,把中東音階與前衛金屬融合。Wikipedia

  • maNga(土耳其)— nu-metal × electronic rock,拿過 MTV 獎、唱過歐歌。從〈We Could Be The Same〉入坑。Wikipedia+1

  • She Past Away(土耳其)— 暗潮/後龐克,80s 合成器質地,很適合喜歡 Björk 黑暗面的人。Wikipedia

  • Tiny Fingers(以色列)— 器樂後搖 × live electronics,dubstep/數學搖滾元素混搭。Pelagic Records

  • Sote(伊朗)— 實驗電子,常把波斯樂器/音階與前沿音色結合。Ableton

  • Omar Souleyman(敘利亞)— dabke-techno 王者,民謠旋律+舞池級合成器。Wikipedia

  • Confess(伊朗→挪威)— groove/nu-metal,編制含 DJ/sampler,能量炸裂。Wikipedia

東歐(波蘭/斯洛維尼亞/克羅埃西亞/捷克…)

  • Laibach(斯洛維尼亞)— 工業/前衛傳奇,硬朗節拍與政治美學;聽《Opus Dei》或〈Tanz mit Laibach〉。Wikipedia+1

  • Thy Disease(波蘭)— 工業金屬,鍵盤與程序化節拍押著密集吉他。Wikipedia

  • Manntra(克羅埃西亞)— 工業 × 民謠金屬,旋律民族風很洗腦。Wikipedia

  • Vanessa(捷克)— 自 1989 年起的 electro-industrial/EBM 老團,聲音灰暗帶侵略性。Discogs

一條「入門試聽」路線(歌單順著播就好)

Infected Mushroom〈Becoming Insane〉 → IC3PEAK〈Смерти Больше Нет〉 → Laibach〈Tanz mit Laibach〉 → She Past Away〈Kasvetli Kutlama〉 → maNga〈We Could Be The Same〉 → Orphaned Land〈Sapari〉 → Molchat Doma〈Судно (Sudno)〉 → Teddy Killerz〈Teddynator〉 → Gydra(任選單曲)→ Thy Disease〈Slave State〉 → Omar Souleyman〈Wenu Wenu〉


電子團 × 客座MC(最貼近 Big Beat / breaks 氣場)

  • The Chemical Brothers — 〈Galvanize〉(feat. Q-Tip), 〈Go〉(feat. Q-Tip)

  • The Crystal Method — 〈Name of the Game〉(feat. Ryu from Styles of Beyond)

  • The Prodigy — 〈Diesel Power〉(feat. Kool Keith)

  • Leftfield — 〈Afrika Shox〉(feat. Afrika Bambaataa)

  • UNKLE — 〈Guns Blazing〉(feat. Kool G Rap)(他們超愛找 MC:Mobb Deep、Roots Manuva 等)

樂團/計畫型團體(大量 feat. MC 是常態)

  • Gorillaz — 〈Clint Eastwood〉(feat. Del), 〈November Has Come〉(feat. MF DOOM), 〈Dirty Harry〉(feat. Bootie Brown)

  • Handsome Boy Modeling School(Prince Paul+Dan the Automator)— 〈Rock n’ Roll (Could Never Hip Hop Like This) Pt.2〉(豪華 MC 大亂鬥)

  • The Avalanches — 〈Because I’m Me〉(feat. Camp Lo), 〈The Noisy Eater〉(feat. Biz Markie)

  • Chinese Man — 〈Get Up〉(feat. ASM, Taiwan MC), 〈Miss Chang〉(feat. Taiwan MC, Taïwan MC)

Trip-hop/UK Bass/重節奏製作人(酷愛請 MC)

  • DJ Shadow — 〈Rocket Fuel〉(feat. De La Soul), 〈Systematic〉(feat. Nas)

  • Coldcut — 〈True Skool〉(feat. Roots Manuva)

  • DJ Krush — 〈Meiso〉(feat. Black Thought & Malik B), 〈Only the Strong Survive〉(feat. C.L. Smooth)

  • The Bug — 〈Skeng〉(feat. Killa P & Flowdan)(更偏 grime/dancehall 的狠勁)

DnB/Breaks × MC(有你喜歡的能量牆)

  • The Qemists — 〈Dem Na Like Me〉(feat. Wiley)

  • Pendulum(加碼現場版) — 找 MC Verse 同台,錄音室版可聽 〈Tarantula〉(feat. $pyda, Tenor Fly)

實驗/前衛向(偏你 Aphex Twin/Squarepusher 的那面)

  • Two Fingers(Amon Tobin 計畫)— 〈That Girl〉(feat. Sway)

  • Prefuse 73(常與地下 MC 合作;前衛切拍)— 可從合輯/合作曲找 Busdriver/Aesop Rock 相關軌


想直接開聽?給你一條 12 首「先感受」清單

Galvanize → Name of the Game → Diesel Power → Afrika Shox → Guns Blazing → Clint Eastwood → November Has Come → Because I’m Me → True Skool → Meiso → Skeng → Dem Na Like Me


俄羅斯/烏克蘭/白俄

  • Illidiance(俄)— cyber/industrial metal,機械感+旋律掛。Wikipedia

  • IC3PEAK(俄)— 暗黑電子/witch-house 雙人組(近年也混嘻哈切拍)。Wikipedia+1

  • Shortparis(俄)— 工業質地的實驗舞曲/後龐克。Wikipedia

  • The HARDKISS(烏)— 電子搖滾×大副歌,舞台能量滿。Wikipedia

  • Molchat Doma(白俄)— 後龐克/dark-wave 合成器,冷感低頻線條很抓耳。Wikipedia+1

  • Teddy Killerz(俄/烏)— 硬派 D’n’B/neurofunk(三人組)。Wikipedia

  • Gydra(俄)— 俄圈代表性 neurofunk 雙人組。eatbrain.net

  • Sunchase(烏)— 老牌烏克蘭 D’n’B/電子製作人。Resident Advisor+1

中東(含土耳其/以色列/伊朗/敘利亞…)

  • Infected Mushroom(以)— psytrance × 電子搖滾,聲響層次狂。Wikipedia+1

  • Orphaned Land(以)— 「東方金屬」先驅,把中東音階與前衛金屬融合。Wikipedia+1

  • maNga(土)— nu-metal/electronic rock,歐歌舞台也拿過亞軍。Wikipedia+1

  • She Past Away(土)— 暗潮/後龐克,電子拍超冷冽。Wikipedia

  • Tiny Fingers(以)— live electronics × 後搖/dubstep 手感演奏。Pelagic Records

  • Sote(伊朗)— 德黑蘭的實驗電子旗手,聲音設計取向。sotesound.com+1

  • Omar Souleyman(敘)— 把傳統 dabke 舞曲做成合成器/節拍的舞池殺器。Wikipedia+1

  • Niyaz / Azam Ali(伊朗系)— 蘇非詩歌×電子的迷幻融合。Wikipedia+1

  • A-WA(以)— 葉門猶太民謠×hip-hop/電子節拍的三姊妹。Wikipedia+1

  • Noga Erez(以)— 電子×說唱的利落製作(你喜歡的 MC feature 氣質這裡很多)。Wikipedia

東歐(斯洛維尼亞/波蘭/克羅埃西亞/捷克…)

  • Laibach(斯)— 工業/前衛傳奇,冷峻機械節拍+概念美學。Wikipedia+1

  • Thy Disease(波)— 工業金屬,鍵盤與程序化節拍很重。Wikipedia+1

  • Manntra(克)— 工業×民謠金屬,旋律很洗腦。Wikipedia

  • Vanessa(捷)— 老牌 electro-industrial / EBM。Discogs+1

  • Dubioza Kolektiv(波黑)— rap-rock × 巴爾幹節奏,現場超嗨(適合你想要的「找 MC 合作」氛圍)。Wikipedia+1

  • Forbidden Society(捷)— 硬派 D’n’B/廠牌主理,聲音設計兇狠。forbiddensocietyrecordings.com+1


怎麼入坑(依你口味從「電子先行→更金屬」)

  1. Infected MushroomShe Past AwayMolchat Doma(電子/冷潮面)Wikipedia+2Wikipedia+2

  2. Dubioza KolektivNoga Erez(MC/說唱能量面)Wikipedia+1

  3. IC3PEAKShortparisLaibach(黑暗工業/實驗面)Wikipedia+2Wikipedia+2

  4. Teddy Killerz/Gydra/Sunchase(D’n’B 硬派→經典流)Wikipedia+2eatbrain.net+2


俄羅斯

  • DJ Vadim(俄羅斯出生、英國發展)— 老派抽樣+downtempo/trip-hop 氛圍、專輯常大量找 MC 客串(如 Abstract Rude、Skinnyman、Big Red 等)。入門:The Soundcatcher(2007)裡的 MC 曲目如「Ballistic Affairs」「Soundcatchers」。 DJ Vadim+2rapreviews.com+2

  • IC3PEAK(雙人電子/實驗嘻哈)— 常與說唱歌手合作(如 Husky、ZillaKami、Ghostemane;2022 Kiss of Death 還與 Oliver Sykes、Grimes 合作),黑暗工業與陷阱質地很貼近你喜歡的狠勁。入門:專輯 До свидания(2020)與 Kiss of Death(2022)。 Wikipedia+1

  • Kunteynir / Lapti(莫斯科地下傳奇)— 由製作人 Lapti 打底、MC 輪流上麥的地下流派,粗糙卻極具氣味;可追一下 Pitchfork 對莫斯科場景的長文。 Pitchfork

中東(含黎凡特/以色列/巴勒斯坦)

  • Balkan Beat Box(以色列)— 地中海×電子×嘻哈節奏,長年與各路來賓合作;2025 還發了和美國饒舌歌手 Trinidad James 合作的〈African Coast〉。入門:經典「Hermetico」與新單曲〈African Coast〉。 Wikipedia+2Wikipedia+2

  • 47SOUL(巴勒斯坦/約旦)— 「Shamstep」開創者,把 dabke 舞步節奏與 hip-hop、人聲吶喊混搭,現場常與 MC/來賓互動。推:Shamstep(2015)。 Wikipedia+1

  • Ramallah Underground/Muqata’a、Asifeh(巴勒斯坦)— 以製作人身份組織 feat 文化的鼻祖級 collective,結合 trip-hop/downtempo 與阿拉伯音素;延伸可聽 Muqata’a 的個人作品與他帶出的新生代(如 Julmud)。 Wikipedia+2Pitchfork+2

  • Hadag Nahash(以色列)— 樂團式 hip-hop,長年與本地歌手/MC 合作,社會議題重。入門:精選歌單或與客座歌手的合作曲。 Jewish Telegraphic Agency+1

東歐(中東歐/巴爾幹)

  • DJ Wich(捷克)— 超典型「製作人+MC 大拼盤」模式;專輯 The Golden Touch(2008)一次網羅 Talib Kweli、Raekwon、M.O.P.、Kurupt、Royce 5’9″、Slum Village、Lil Wayne 等。入門就聽整張。 Wikipedia+1

  • Subcarpați(羅馬尼亞)— 傳統民謠 × 電子 × hip-hop 的大團企劃,常見不同 MC/歌手加入 cypher。入門:從現場影片或精選歌單切入。 Europavox+1

  • Night Marks Electric Trio(波蘭)— 電子靈魂×嘻哈的三人製作組,EP 就找 Raashan Ahmad、AB 等客席。入門:〈Glorious Tune (feat. Raashan Ahmad)〉、〈Walk Inside Your Dream (feat. AB)〉。 U Know Me Records+2Discogs+2

  • Gramatik(斯洛維尼亞)— 以器樂 hip-hop/glitch-hop 聞名的製作人,常與不同樂手與製作人合體(GRiZ 等);若你想要「重拍+取樣」的器樂場景,這是東歐代表。入門:The Age of ReasonEpigramWikipedia+1

  • Dubioza Kolektiv(波黑)— 巴爾幹 × hip-hop × 電子 × 搖滾的大雜燴團,合作清單長,近年也持續跨界單曲與聯名。入門:〈No Escape (from Balkan)〉、與 Manu Chao 等合作曲。 Wikipedia+1


西亞/中東(West Asia)

  • 47SOUL(巴勒斯坦/約旦)— “Shamstep” 先鋒:dabke 節奏+hip-hop+電子,常見 cypher 式多人客座。

  • DAM(巴勒斯坦)— 團體本身以 MC 為核心,也常與地區製作人跨作;節拍多電子/低音取向。

  • BLTNM / Muqata’a 陣線(巴勒斯坦)— 以製作人為底的 collective,經常「製作人+MC」拼盤釋出。

  • Balkan Beat Box(以色列)— 地中海打擊+低音電子,單曲裡常找說唱/MC 站台。

南亞/南亞裔

  • Nucleya(印度)— desi bass 旗手,習慣找本地 MC 客座(例如與街頭說唱場景合作);舞池能量直上。

  • DJ Vadim(俄羅斯出生/英國發展)— 老派抽樣×downtempo×hip-hop,專輯常是「製作人串各路 MC」的拼盤。

  • Swet Shop Boys(Riz Ahmed + Heems)— 南亞取樣與全球低音的混血,常與不同製作人互拼(雖然本身是雙 MC,氣質很接近你要的跨域感)。

東南亞

  • SpaceSpeakers Group(越南)— 以 Touliver 為中心的製作人團隊,長年串連 Binz、Rhymastic、SOOBIN 等 MC/歌手,標準「製作人×客座」運作。

  • Rap Against Dictatorship(泰國)— 政治力度強的說唱 collective,作品常見不同 MC/製作人參與;和 Pyra 的議題取向相通。

  • Suboi ×(越南製作人群)— 越南女王級 MC,長期與本地 beatmaker/團隊合作(如 SpaceSpeakers 成員);可當你探索越南「製作人+MC」圈的入口。

  • PYRA(泰國)— 你已經在聽了;她常與不同製作人共作,聲音在 alt-pop、電子與說唱之間切換,很適合做串場樞紐。

東亞/亞洲血統的國際製作人

  • Balming Tiger(韓國)— 另類嘻哈 collective,製作人+多位 MC 的鬆散編制,合作非常頻繁。

  • m-flo(loves 系列)(日本)— 典型「團體+海量 feat.」的長期企劃,名單從歌手到 MC 都有。

  • DJ Krush(日本)— 日本傳奇級製作人,專輯常找美英地下 MC 合作(Black Thought、C.L. Smooth 等),陰鬱的重拍很貼 NIN/ADF 的黑色感。

  • TOKiMONSTA(韓裔美籍)— 電子/左場 hip-hop 製作人,與各路 MC/歌手跨作,旋律跟低音比例拿捏漂亮。


先聽這幾首(把門味道抓住)

  • 47SOUL – Intro to Shamstep

  • DAM – Born Here

  • Balkan Beat Box – Hermetico

  • Nucleya – Jungle Raja (feat. DIVINE)

  • DJ Krush – Meiso (feat. Black Thought & Malik B)

  • Balming Tiger – SEXY NUKIM (feat. RM)

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